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Chronologically:
Alphabetically:



To the Top
“To be a book-collector is to combine the worst characteristics
of a dope fiend with those of a miser.”
--Robertson Davies |
|
Here's the list of
books we've read in alphabetical order for these letters:
A, B, C, D,
E, and F
You can read the first paragraph
from each of the books, too.

A
| Title |
Author |
First
Paragraph |
| Actual Innocence |
Barry Scheck |
The phone rings. His mother
and aunt have gone to bed. Dennis Fritz stares at a movie, though
he doesn’t know its name or plot, and
is ready for sleep, just as soon as he can hoist himself from
couch to bed. It is a spring night in Kansas City, and the windows
of Lister Avenue are open to the cool air, and curtains skip
along the breeze. A jangling phone at that hour, in this house,
could only be a wrong number. |
| Age of Innocence, The |
Edith Wharton |
On a January evening of the early seventies, Christine
Nilsson was singing in Faust at the Academy of Music in New
York. |
| Alibi for an Actress |
Gillian Farrell |
Hired to protect Lucinda Merrill, the
star of a low-rated soap opera, from an obsessed fan, struggling
actress Annie McGrogan
begins the job with enthusiasm, until Merrill's husband is murdered
and Annie is named number one suspect. Publisher's
Quotes. No first para.
I borrowed this book. |
| Alienist, The |
Caleb Carr |
Theodore is in the ground. |
| Amazing Adventures of Kavalier
& Clay, The |
Michael Chabon |
In later years, holding forth to an interviewer or to an
audience of aging fans at a comic book convention, Sam Clay
liked to declare, apropos of his and Joe Kavalier’s
greatest creation, that back when he was a boy, sealed and hog-tied
inside the airtight vessel known as Brooklyn, New York, he had
been haunted by dreams of Harry Houdini.
“To me, Clark Kent in a phone booth and Houdini in a packing
crate, they were one and the same thing,” he would learnedly
expound at WonderCon or Angouleme or to the editor of The Comics Journal.
“You weren’t the same person when you came out as when you went
in. Houdini’s first magic act, you know, back when he was just
getting started. It was called ‘Metamorphosis.’
It was never just a question of escape. It was also a question
of transformation.” The truth was that, as a kid, Sammy
had only a casual interest, at best, in Harry Houdini and his
legendary feats; his great heroes were Nikola Tesla, Louis Pasteur, and Jack London. Yet his
account of his role—of the role of his own imagination—in the
Escapist’s birth, like all of his best fabulations,
rang true. His dreams had always been Houdiniesque: they were the dreams of a pupa struggling
in its blind cocoon, mad for a taste of light and air. |
| Amy & Isabelle |
Elizabeth Strout |
"It was terribly hot the summer Mr. Robertson left
town." For Amy Goodrow and her
mother, Isabelle, the heat of that summer is the least of their
problems. Other citizens in the New England
mill town of Shirley Falls are bothered by the heat and by "other
things too: Further up the river crops weren't right--pole beans
were small, shriveled on the vine, carrots stopped growing when
they were no bigger than the fingers of a child; and two UFOs
had apparently been sighted in the north of the state."
But Amy and Isabelle have a more private misery: a seemingly
unbridgeable chasm has opened between this once-close mother
and daughter and nothing will ever be the same again. For
Amy has fallen in love with her high-school math teacher, Mr.
Robertson, who has gone way beyond the bounds of propriety by
encouraging the crush. When Isabelle finds out, she is
horrified to realize that her anger at him is dwarfed by her rage at her own daughter for "enjoying
the sexual pleasures of a man while she herself had not."
Mother-daughter novels can, by virtue of their subject
matter, often seem claustrophobic, a little overwrought;
Elizabeth Strout masterfully avoids
this problem by placing Amy and Isabelle in the larger context
of the community they inhabit. Though her main focus is on the
Goodrow women, Strout often
detours into the lives and thoughts of her many secondary characters:
Isabelle's coworkers Dottie Brown and Fat Bev;
Amy's best friend, Stacy Burrows; Stacy's ex-boyfriend, Paul
Bellows; and women from Isabelle's church such as Peg Dunlap
and Barbara Rawley. She also introduces a chilling frisson of menace
with the unsolved abduction of a 12-year-old girl and a mysterious
obscene phone-caller. Like the best of Alice Hoffman, Amy
and Isabelle offers up a moving yet resolutely unsentimental
portrait of people coming to terms with their lives, finding
unsuspected nobility in themselves and unexpected kindness in others along the
way. Elizabeth Strout has written
a gem of a novel. --Alix Wilber
on Amazon |
| Angle of Repose |
Wallace Stegner |
Now I believe they will leave me alone.
Obviously Rodman came up hoping to
find evidence of my incompetence—though how an incompetent could
have got this place renovated, moved his library up, and got
himself transported to it without arousing the suspicion of
his watchful children, ought to be a hard one for Rodman to
answer. I take some pride in the way I managed all that. And
he went away this afternoon without a scrap of what he would
call data. |
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To the Top
"A great book should leave you with many experiences,
and slightly exhausted at the end. You live several lives while reading
it." - William Styron (1925 - ) |
|

B
| Title |
Author |
First
Paragraph |
| Bel Canto |
Ann Patchett |
When the lights went off the
accompanist kissed her. |
| Beloved |
Toni Morrison |
124 was spiteful. Full of a baby’s venom.
The women in the house knew it and so did the children. For
years each put up with the spite in his own way, but by
1873 Sethe and her daughter Denver
were its only victims. The grandmother, Baby Suggs, was dead,
and the sons, Howard and Buglar, had run away by the time they were thirteen years
old—as soon as merely looking in a mirror shattered it (that
was the signal for Buglar); as soon
as two tiny hand prints appeared in the cake (that was it for
Howard). Neither boy waited to see more; another kettleful of
chickpeas smoking in a heap on the floor; soda crackers crumbled
and strewn in a line next to the doorsill. Nor did they wait
for one of the relief periods: the weeks, months even, when
nothing was disturbed. No. Each one fled at once—the moment
the house committed what was for him the one insult not to be
borne or witnessed a second time. Within two months, in the
dead of winter, leaving their grandmother, Baby Suggs; Sethe,
their mother; and their little sister, Denver all by themselves
in the gray and white house on Bluestone Road. It didn’t
have a number then, because Cincinnati didn’t stretch that far.
In fact Ohio had been calling itself
a state only seventy years when first one brother and then the
next stuffed quilt packing into his hat, snatched up his shoes,
and crept away from the lively spite the house felt for them. |
| Benjamin Franklin |
Edmund S. Morgan |
The first thing to do is to overcome the image of a man perpetually at his
desk, scribbling out the mountain of words that confronts us.
Because Franklin wrote so well and so
much it is natural to think of him with pen in hand. But
the man we will find in his writings likes to be in the open
air, walking the city streets, walking the countryside, walking
the deck of a ship. Indoors, he likes to be with people, sipping
tea with young women, raising a glass with other men, playing
chess, telling jokes, singing songs. |
| Bridge on the Drina |
Ivo Andric |
For the greater part of its course the river Drina
flows through narrow gorges between steep mountains or through
deep ravines with precipitous banks. In a few places
only the river banks spread out to form valleys with level or
rolling stretches of fertile land suitable for cultivation and
settlement on both sides. Such a place exists here at Višegrad, where the Drina breaks
out in a sudden curve from the deep and narrow ravine formed
by the Butkovo rocks and Uzavnik mountains.
The curve which the Drina
makes here is particularly sharp and the mountains on
both sides are so steep and so close together that they look
like a solid mass out of which the river flows directly as from
a dark wall. Then the mountains suddenly widen into an irregular
amphitheatre whose widest extent is not more than about ten
miles as the crow flies. |
| Broken Vessel |
Kate Ross |
In 1820's London, Julian Kestrel
and an unlikely partner--bold and bewitching prostitute Sally
Stokes--stalk a murderer through the high places and low life
in Regency London, after Sally mistakenly steals a letter from
one of her clients containing an urgent plea for help from a
distraught young woman. Publisher's Quotes. No first para. I borrowed this book. |
|
| 
To the Top
“I read part of it all the way through.”
-- Samuel Goldwyn |
|

C
| Title |
Author |
First
Paragraph |
| Candy Freak |
Steve Almond |
The author will now rationalize: The answer is
that we don't choose our freaks, they choose us. I don't mean
this as some kind of hippy dippy aphorism about the power of
fate. We may not understand why we freak on a particular food
or band or sports team. We may have no conscious control over
our allegiances. But they arise from our most sacred fears and
desires and, as such, they represent the truest expression of
our selves. |
| A Civil Action |
Jonathan Harr |
The lawyer Jan Schlichtmann was awakened by
the telephone at eight-thirty on a Saturday morning in mid-July.
He had slept only a few hours, and
fitfully at that. When the phone rang, he was dreaming about
a young woman who worked in the accounting department of a Boston
insurance firm. The woman had somber brown eyes, a clear complexion,
and dark shoulder-length hair. Every working day for the past
five months the woman had sat across
from Schlichtmann in the courtroom,
no more than ten feet away. In five months
Schlichtmann had not uttered a single word directly to
her, nor she to him. He had heard her voice once, the first
time he’d seen her, but he could no longer remember what it
sounded like. When their eyes had happened to meet, each had
been careful to convey nothing of import, to make the gaze neutral,
and to shift it away as quickly as possible without causing
insult. |
| Civil Disobedience |
Henry David Thoreau |
I heartily accept the motto,--“That
government is best which governs least;’ and I should like to
see it acted up to more rapidly and systematically. Carried
out, it finally amounts to this, which also I believe,--“That
government is best which governs not at all;” and when men are
prepared for it, that will be the kind of government which they
will have. Government is at its best but an expedient; but most
governments are usually, and all governments are sometimes,
inexpedient. The objections which have been brought against
a standing army, and they are many and weighty, and deserve
to prevail, may also at last be brought against a standing government.
The government itself, which is only the mode
which the people have chosen to execute their will, is
equally liable to be abused and perverted before the people
can act through it. Witness the present Mexican war, the work
of comparatively a few individuals using the standing government
as their tool; for, in the outset, the people would not have
consented to this measure. |
| Cold Mountain |
Charles Frazier |
At the first gesture of morning,
flies began stirring. Inman’s eyes and the long wound at his
neck drew them, and the sound of their wings and the touch of
their feet were soon more potent than a yardful
of roosters in rousing a man to wake. So
he came to yet one more day in the hospital ward. He flapped
the flies away with his hands and looked across the foot of
his bed to an open triple-hung window. Ordinarily he could see
to the red road and the oak tee and
the low brick wall. And beyond them
to a sweep of fields and flat piney woods that stretched to
the western horizon. The view was a long one for the flatlands,
the hospital having been built on the
only swell within eyeshot. But it was
too early yet for a vista. The window might as well have been
painted grey. |
| The Color of Water |
James McBride |
I’m dead. |
| Comanche Moon |
Larry McMurtry |
Captain Inish Scull
liked to boast that he had never been thwarted in pursuit--as
he liked to put it--of a felonious foe, whether Spanish, savage,
or white. |
| The
Corrections |
Jonathan Franzen |
The madness of an autumn prairie cold front coming
through. You could feel it: something terrible was going to happen.
The sun low in the sky, a minor light, a cooling star. Gust after
gust of disorder. Trees restless, temperatures falling, the whole
northern religion of things coming to an end. No children in the
yards here. Shadows lengthened on yellowing zoysia. Red oaks and
pin oaks and swamp white oaks rained acorns on houses with no
mortgage. Storm windows shuddered in the empty bedrooms. And the
drone and hiccup of a clothes dryer, the nasal contention of a
leaf blower, the ripening of local apples in a paper bag, the
smell of the gasoline with which Alfred Lambert had cleaned the
paintbrush from his morning painting of the wicker love seat. |
|
| 
To the Top
“This book fills a much-needed gap.”
-- Moses Hadas |
|

D
| Title |
Author |
First
Paragraph |
| Dakota, A Spiritual
Geography |
Kathleen Norris |
The high plains, the beginning of
the desert West, often act as a crucible for those who inhabit
them. Like Jacob’s angel, the region requires that you wrestle
with it before it bestows a blessing. This can mean driving
through a snowstorm on icy roads, wondering whether you’ll
have to pull over and spend the night in your car, only to emerge
under tag ends of clouds into a clear sky blazing with stars.
Suddenly you know what you’re seeing: the earth has turned to face the center
of the galaxy, and many more stars are visible than the ones
we usually see on our wing of the spiral. |
| The DaVinci Code |
Dan Brown |
Robert Langdon awoke slowly. |
| Death in Holy Orders |
P D James |
It was Father Martin’s idea that I should write an account of how I found
the body. |
| The Decameron |
Giovanni Boccaccio |
Dearest ladies,
it is fitting that everything done by man should begin with
the marvelous and holy name of Him who was the Creator of all
things; therefore, since I am to be the first to begin our storytelling,
I intend to start with one of His marvelous deeds, so that when
we have heard about it, our faith in Him will remain as firm
as ever and His name be ever praised by us. |
| Deception of the Mind |
Elizabeth George |
Whoever said April is the cruellest month had never
been in London in the midst of a summer heat wave. With air
pollution dressing the sky in designer brown, diesel lorries
draping the buildings—and the inside of noses – in basic black,
and tree leaves wearing the very latest in dust and grit, London
in late June was the cruellest month. Indeed, it was a veritable hellhole.
This was Barbara Havers’s unsentimental
evaluation of her nation’s capital as she drove through it on
Sunday afternoon, heading homeward in her rattling Mini. |
| Devil in a Blue
Dress |
Walter Mosely |
I was surprised to see a white man
walk into Joppy’s bar. It’s not just that he was white but he wore an off-white
linen suit and shirt with a Panama straw hat and bone shoes
over flashing white silk socks. His skin was smooth and pale
with just a few freckles. One lick of strawberry-blond hair
escaped the band of his hat. He stopped in the doorway, filling
it with his large frame and surveyed the room with pale eyes;
not a color I’d ever seen in a man’s
eyes. When he looked at me I felt a thrill of fear, but that
went away quickly because I was used to white people by 1948. |
| Devil
in the White City, The |
Erik Larson |
How easy it was to disappear: A thousand trains
a day entered or left Chicago. Many of these trains brought
single young women who had never even seen a city but now hoped
to make one of the biggest and toughest their home. Jane Addams,
the urban reformer who founded Chicago's Hull House, wrote,
"Never before in civilization have such numbers of young
girls been suddenly released from the protection of the home
and permitted to walk unattended upon the city streets and to
work under alien roofs." The women sought work as typewriters,
stenographers, seamstresses, and weavers. The men who hired
them were for the most part moral citizens intent on efficiency
and profit. But not always. On March 30, 1890, an officer of
the First National Bank placed a warning in the help-wanted
section of the Chicago Tribune, to inform female stenographers
of "our growing conviction that no thoroughly honorable
business-man who is this side of dotage ever advertises for
a lady stenographer who is a blonde, is good-looking, is quite
alone in the city, or will transmit her photograph. All such
advertisements upon their face bear the marks of vulgarity,
nor do we regard it safe for any lady to answer such unseemly
utterances." |
| Die Trying |
Lee Child |
Nathan Rubin died because he got brave. Not the sustained kind of thing that
wins you a medal in a war, but the split-second kind of blurting
outrage that gets you killed on the street. |
| Disgrace |
J.M.Coetzee |
For a man of his age, fifty-two, divorced, he has,
to his mind, solved the problem of sex rather well. On Thursday
afternoons he drives to Green Point. Punctually at two p.m. he
presses the buzzer at the entrace to Windsor Mansions, speaks
his name, and enters. Waiting for him at the door of No. 113 is
Soraya. He goes straight through to the bedroom, which is pleasant-smelling
and softly lit, and undresses. Soraya emerges from the bathroom,
drops her robe, slides into bed beside him. 'Have you missed me?'
she asks. 'I miss you all the time,' he replies. He strokes her
honey-brown body, unmarked by the sun; he stretches her out, kisses
her breasts; they make love. |
| Divine Secrets
of the YaYa Sisterhood |
Rebecca Wells |
Tap-dancing
child abuser. That's what
the Sunday New York Times from March 8, 1993, had called
Vivi. The pages of the week-old Leisure Arts section lay
scattered on the floor next to Sidda
as she curled up in the bed, covers pulled tightly around her,
portable phone on the pillow next to her head. |
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| 
To the Top
"With one day's reading, a man may have the key
in his hands." - Ezra Pound (1885 - 1972) |
|

E
| Title |
Author |
First
Paragraph |
| Eleanor Roosevelt,
Vol. I:1884-1933 |
Blanche Wiesen Cook |
The first words of Eleanor Roosevelt’s
memoirs are: "My mother was one
of the most beautiful women I have ever seen." That declaration
represented an unending reproach and longing that defined the
terms of her unfinished relationship with her mother, Anna Livingston
Ludlow Hall, who died at twenty-nine, when Eleanor was only
eight. |
| Embers |
Sandor Marai
-- translated by Carol Brown Janeway |
In the morning, the old general spent a considerable time in the wine cellars
with his winegrower inspecting two casks of wine that had begun
to ferment. He had gone there at first light, and it was past
eleven o’clock before he had finished drawing off the wine and
returned home. Between the columns of the veranda
which exuded a musty smell from its damp flagstones,
his gamekpeeper was standing waiting
for him, holding a letter. |
| Eva Luna |
Isabel Allende |
My name is Eva, which means
"live," according to a book of names my mother consulted.
I was born in the back room of a shadowy house,
and grew up amidst ancient furniture, books in Latin,
and human mummies, but none of those things made me melancholy,
because I came into the world with a breath of the jungle in
my memory. My father, an Indian with yellow eyes, came from
the place where the hundred rivers meet; he smelled of lush
growing things and he never looked directly at the sky, because
he had grown up beneath a canopy of trees, and light seemed
indecent to him. Consuelo, my mother, spent her childhood in
an enchanted region where for centuries adventurers have searched
for the city of pure gold the conquistadors saw when they peered
into the abyss of their own ambitions. She was marked forever
by that landscape, and in some way she managed to pass that sign on to me. |
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“Wear the old coat and buy the new book.”
-- Austin Phelps |
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F
| Title |
Author |
First Paragraph |
| Family |
Ian
Frazier |
The
twentieth century began on a Tuesday. On that day, all my great-grandparents
but one were living in Ohio or Indiana. Mr. And Mrs. Harry E.
Frazier and their four children lived in Indianapolis, in a
neighborhood of many vacant lots and telephone poles. Mr. and
Mrs. Louis W. Wickham and their three children and hired girl
lived at 237 Benedict Avenue, Norwalk, Ohio. The Reverend John
Bachman and his wife and two daughters lived in New Knoxville,
Ohio, where he was pastor of the First German Reformed Church.
Mrs. Elizabeth C. Hursh and her three grown daughters and one
son lived at 86 Greenfield Street, Tiffin, Ohio; her husband,
Professor O.A.S. Hursh, lay in a nearby cemetery, beneath a
$200 monument inscribed with a Latin quotation and the years,
months, and days of his life. |
| For
Whom the Bell Tolls |
Ernest
Hemingway |
He
lay flat on the brown, pine-needled floor of the forest, his
chin on his folded arms, and high overhead the wind blew in
the tops of the pine trees. The mountainside sloped gently where
he lay; but below it was steep and he could see the dark of
the oiled road winding through the pass. There was a stream
alongside the road and far down the pass he saw a mill beside
the stream and the falling water of the dam, white in the summer
sunlight. |
| Fear
of Flying |
Erica Jong |
There were 117 psychoanalysts
on the Pan Am flight to Vienna and I'd been treated by at least
six of them. And married a seventh. God knows it was a tribute
either to the shrinks' ineptitude or my own glorious unanalyzability
that I was now, if anything, more scared of flying than when
I began my analytic adventures some thirteen years earlier. |
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| “I still find each day
too short for all the thoughts I want to think, all the walks I want
to take, all the books I want to read, and all the friends I want to
see.”
--John Burrough
To the Top |
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Modified
03/11/07 by LRH
A Knotty Piner Production

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