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Chronologically:
Alphabetically:



To the Top
"A classic is a book that has never finished
saying what it has to say." - Italo Calvino (1923 - 1985)
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Here's
more from the list of books we've read in alphabetical order for these
letters:
S, T, U, V,
W, X, Y and Z
You can read the first paragraph from each of the books,
too.

S
| Title |
Author |
First
Paragraph |
| Sarah Conley |
Gilchrist, Ellen |
The New York Times Book Review, Patrick Giles
In her 15th book, Ellen Gilchrist offers the
story of a woman charting the middle passages of a rich and turbulent
life. Sarah Conley is an editor at Time magazine and a
successful novelist, but her progress is checked by her unresolved
past: as the novel opens, an old love for her best friend's husband
is rekindled.... Unfortunately, while Gilchrist raises themes
worthy of good fiction, she develops them with strategies better
suited to soap opera. |
| Sarum |
E. Rutherfurd |
First, before the beginning of
Sarum, came a time when the world was a colder and darker place. |
| The Scarlet Letter |
Nathaniel Hawthorne |
A throng of bearded men, in sad-colored garments and
gray, steeple-crowned hats, intermixed with women, some wearing
hoods, and others bareheaded, was assembled in front of a wooden
edifice, the door of which was heavily timbered with oak, and studded
with iron spikes. |
| The Sculptress |
Minette Walters |
It was impossible to see her
approach without a shudder of distaste. She was a grotesque parody
of a woman, so fat that her feet and hands and head protruded
absurdly from the huge slab of her body like tiny disproportionate
afterthoughts. Dirty blonde hair clung damp and thin to her scalp,
black patches of sweat spread beneath her armpits. Clearly, walking
was painful. She shuffled forward on the insides of her feet,
legs forced apart by the thrust of one gigantic thigh against
another, balance precarious. And with every movement, however
small, the fabric of her dress strained ominously as the weight
of her flesh shifted. She had, it seemed, no redeeming features.
Even her eyes, a deep blue, were all but lost in the ugly folds
of pitted white lard. |
| Seabiscuit |
Laura Hillenbrand |
Charles Howard had the feel of
a gigantic onrushing machine: You had to either climb on or leap
out of the way. He would sweep into a room, working a cigarette
in his fingers, and people would trail him like pilot fish. They
couldn’t help themselves. Fifty-eight years old in 1935, Howard
was a tall, glowing man in a big suit and a very big Buick. But
it wasn’t his physical bearing that did it. He lived on a California
ranch so huge that a man could take a wrong turn on it and be
lost forever, but it wasn’t his circumstances either. Nor was
it that he spoke loud or long; the surprise of the man was his
understatement, the quiet and kindly intimacy of his acquaintance.
What drew people to him was something intangible, an air about
him. There was a certain inevitability to Charles Howard, an urgency
radiating from him that made people believe that the world was
always going to bend to his wishes. |
| Secret Life of Bees, The |
Sue Monk Kidd |
At night I would lie in bed and
watch thes show, how bees squeezed through the cracks of my bedroom
wall and flew circles around the room, making that propeller sound,
a high-pitched zzzzzz that hummed along my skin. I watched their
wings shining like bits of chrome in the dark and felt the longing
build in my chest. The way those bees flew, not even looking for
a flower, just flying for the feel of the wind, split my heart
down its seam. |
| She’s
Come Undone |
Wally Lamb |
In one of my earliest memories,
my mother and I are on the front porch of our rented Carter Avenue
house watching two delivery men carry our brand-new television
set up the steps. I’m excited because I’ve heard about but never
seen television. The men are wearing work clothes the same color
as the box they’re hefting between them. Like the crabs at Fisherman’s
Cove, they ascend the cement stairs sideways. Here’s the undependable
part: my visual memory stubbornly insists that these men are President
Eisenhower and Vice President Nixon. |
| Shot in the Heart |
Gilmore, Mikal |
I have a story to tell. It is
a story of murders: murders of the flesh, and of the spirit; murders
born of heartbreak, of hatred, of retribution. It is the story
of where those murders begin, of how they take form and enter
our actions, how they transform our lives, how their legacies
spill into the world and the history around us. And it is a story
of how the claims of violence and murder end – if, indeed, they
ever end. |
| Sin Killer |
Larry McMurtry |
In the darkness beyond the great Missouri's shore at
last lay the West, toward which Tasmin and her family, the numerous
Berrybenders, had so long been tending. The Kaw, an unimpressive
stream, had been passed that afternoon--Tasmin, Bobbety, Bess, and
Mary had come ashore in the pirogue to see the prairies that were
said to stretch west for a thousand miles; but in fact they could
hardly see anything, having arrived just at dusk. The stars were
coming out--bright, high stars that didn't light the emptiness much,
as a full moon might have done. Bess, called Buffum by the family,
insisted that she had heard a buffalo cough, while Bobbety claimed
to have seen a great fish leap at dusk, some great fish of the Missouri.
The three older Berrybenders tramped for a time along the muddy
shore, trailed, as usual, by the sinister and uncompromising Mary,
aged twelve, whom none of them had invited on the tour. In the last
light they all stared at the gray grass and the brown slosh of water;
but the great fish of the Missouri did not leap again. Disappointed,
the agile Bobbety at once caught a slimy green frog, which he foolishly
tried to force down Mary's dress, the predictable result of his
actions being that the frog squirmed away while Mary, never one
to be trifled with, bit Bobbety's forefinger to the bone, causing
him to blubber loudly, to Buffum's great annoyance and Tasmin's
quiet contempt. Though Bobbety attempted to give his sister a sharp
slap, Mary, like the frog, squirmed away and, for a time, was seen
no more. |
| Small Island |
Andrea Levy |
I thought I'd been to Africa. Told all my class I had.
Early Bird, our teacher, stood me in front of the British Flag--she
would let no one call it the common Union Jack: 'It's the flag of
the Empire not a musical turn.' And I stood there as bold as brass
and said, 'I went to Africa when it came to Wembley.' It was then
that Early Bird informed me that Africa was country. 'You're not
usually a silly girl, Queenie Buxton, she went on, 'but you did
not go to Africa, you merely went to the British Empire Exhibition,
as thousand of others did.' |
| Smilla’s Sense
of Snow |
Peter Hoeg |
It’s freezing—an extraordinary
0° Fahrenheit—and it’s snowing, and in the language that is no
longer mine, the snow is qanik—big, almost weightless crystals
falling in clumps and covering the ground with a layer of pulverized
white frost. |
| Snow Falling
on Cedars |
David Guterson |
The accused man, Kabuo Miyamoto,
sat proudly upright with a rigid grace, his palms placed softly
on the defendant’s table—the posture of a man who has detached
himself insofar as this is possible at his own trial. Some in
the gallery would later say that his stillness suggested a disdain
for the proceedings; others felt certain it veiled a fear of the
verdict that was to come. Whichever it was, Kabuo showed nothing—not
even a flicker of the eyes. He was dressed in a white shirt worn
buttoned to the throat and gray, neatly pressed trousers. His
figure, especially the neck and shoulders, communicated the impression
of irrefutable physical strength and of precise, even imperial
bearing. Kabuo’s features were smooth and angular; his hair had
been cropped close to his skull in a manner that made its musculature
prominent. In the afce of the charge that had been leveled against
him he sat with his dark eyes trained straight ahead and did not
appear moved at all. |
| Snow in August |
Hamill, Pete |
Once upon a cold and luminous
Saturday morning, in an urban hamlet of tenements, factories,
and trolley cars on the western slopes of the borough of Brooklyn,
a boy named Michael Devlin woke in the dark. |
| Stones from
the River |
Ursula Hegi |
As a child Trudi Montag thought
everyone knew what went on inside others. That was before she
understood the power of being different. The agony of being different.
And the sin of ranting against an ineffective God. But before
that—for years and years before that—she prayed to grow. |
| Stop-Time |
Frank Conroy |
My father stopped living with
us when I was three or four. Most of his adult life was spent
as a patient in various expensive rest homes for dipsomaniacs
and victims of nervous collapse. He was neither, although he drank
too much, but rather the kind of neurotic who finds it difficult
to live for any length of time in the outside world. The brain
tumor discovered and removed toward the end of his life could
have caused his illness, but I suspect this easy out. To most
people he seemed normal, especially when he was inside. |
| Surrender
the Pink |
Carrie Fisher |
Dinah Kaufman lost her virginity
a total of three times. Not because it was so large that it took
three times to knock it out, but because she thought losing your
virginity was supposed to mean something and it took her three
strikes to feel that she was even remotely in the meaning ball
game. It seemed that all her trouble showed up in sex, that alleged
road to love. In almost every other situation you could hardly
tell that there was anything wrong with her; she just seemed to
have too much personality for one person and not quite enough
for two. But in romance—BOOM—you’d know right away. |
| Sweet Potato Queen' s Book ot Love |
Browne. Jill Conner |
For anyone even remotely familiar
with Jackson, Mississippi, the name “Sweet Potato Queens” instantly
evokes sweet memories of beautiful, somewhat augmented female
forms enveloped in green sequins, towering red hairdos, provocative
dances and the haunting refrain of “Tiny Bubbles,” as only Don
Ho could – or would, for that matter – deliver it. If, as they
say, you ain’t from around here, you need some enlightening; and
your life will not be complete until you get it. Nor will it ever
be the same after you do. |
|
| 
To the Top
“Some books are to be tasted, others to be swallowed,
and some few to be chewed and digested: that is, some books are to be
read only in parts, others to be read, but not curiously, and some few
to be read wholly, and with diligence and attention.”
-- Sir Francis Bacon |
|

T
|
Title |
Author |
First Paragraph |
|
A
Tale of Two Cities |
Charles
Dickens |
It
was the best of times, it was the worst of times, it was the
age of wisdom, it was the age of foolishness, it was the epoch
of belief, it was the epoch of incredulity, it was the season
of Light, it was the season of Darkness, it was the spring of
hope, it was the winter of despair, we had everything before
us, we had nothing before us, we were all going direct to Heaven,
we were all going direct the other way—in short, the period
was so far like the present period, that some of its noisiest
authorities insisted on its being received, for good or for
evil, in the superlative degree of comparison only. |
|
Talented
Mr. Ripley, The |
Patricia Highsmith |
Tom glanced behind him and saw
the man coming out of the Green Cage, heading his way. Tom walked
faster. There was no doubt the man was after him. Tom had noticed
him five minutes ago, eyeing him carefully from a table, as
if he weren’t quite sure, but almost. He had looked sure
enough for Tom to down his drink in a hurry, pay and get out. |
|
Tender at the Bone |
Ruth Reichl |
This is a true story. |
|
Thanatopsis and Other Poems |
William Cullen Bryant |
To him who in the love of Nature
holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware.
|
|
Three Musketeers, The |
Alexander Dumas |
On the first Monday of the month
of April, 1625, the small town of Meung, the birthplace of the
author of the ‘Romance of the Rose,’ appeared to be in a state
of revolution, as complete as if the Huguenots were come to
make a second siege of La Rochelle. Many of the townsmen, observing
the flight along the high street, of wormen who left their children
to squall at the doorsteps, hastened to don their armour, and,
fortifying their courage, which was inclined to fail, with a
musket or a partisan, proceeded towards the inn of the Jolly
Miller, to which a vast and accumulating mob was hastening with
intense curiosity. |
|
Tripwire |
Lee Child |
Ex-military policeman Jack Reacher
is lying low in Key West, digging up swimming pools by hand.
He is not at all pleased when a private detective starts asking
questions about him. But when the detective, Costello, turns
up dead with his fingertips sliced off, Reacher realizes it
is time to move on. As in Lee Child's two previous thrillers,
Die Trying and Killing Floor, Reacher is soon up to his neck
in lethal trouble, this time involving a vicious Wall Street
manipulator, a mysterious woman (of course), and the livelihood
of a whole community. Even the fate of soldiers missing in action
in Vietnam is stirred into the brew.
But this is not a book by one
of the new breed of U.S. thriller writers. Child prides himself
on his ability, as an Englishman, to write American thrillers
that are utterly convincing in milieu and toughness of action,
without a trace of English sensibility. Tripwire is no exception.
Every bit as lean and compulsive as its predecessors, it also
builds on the freshest aspect of those books: Reacher may be
a tough, epic hero, but he always remains human and vulnerable.
-- Barry Forshaw on Amazon.com |
|
Tuesday's
with Morrie |
Mitch Albom |
The last class of my old professor’s life took place once a week in his
house, by a window in the study where he could watch a small
hibiscus plant shed its pink leaves. The class met on Tuesdays.
It began after breakfast. The subject was The Meaning of Life.
It was taught from experience. |
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To the Top
"The books we need are the kind that act upon
us like a misfortune, that make us suffer like the death of someone
we love more than ourselves, that make us feel as though we were on
the edge of suicide, or lost in a forest remote from all human habitation
- a book should serve as the axe for the frozen sea within us."
- Franz Kafka (1883 - 1924) |
|

U
|
Title |
Author |
First Paragraph |
|
The
Unbearable Lightness of Being |
Milan
Kundera |
The
idea of eternal return is a mysterious one, and Nietzsche has
often perplexed other philosophers with it: to think that everything
recurs as we once experienced it, and that the recurrence itself
recurs ad infinitum! What does this mad myth signify? |
|
Under
the Tuscan Sun |
Frances
Mayes |
I
am about to buy a house in a foreign country. A house with the
beautiful name of Bramasole. It is tall, square, and apricot-colored
with faded green shutters, ancient tile roof, and an iron balcony
on the second level, where ladies might have sat with their
fans to watch some spectacle below. But below, overgrown briars,
tangles of roses, and knee-high weeds run rampant. The balcony
faces southeast, looking into a deep valley, then into the Tuscan
Apennines. When it rains or when the light changes, the façade
of the house turns gold, sienna, ocher; a previous scarlet paint
job seeps through in rosy spots like a box of crayons left to
melt in the sun. In places where the stucco has fallen away,
rugged stone shows what the exterior once was. The house rises
above a strada bianca, a road white with pebbles, on
a terraced slab of hillside covered with fruit and olive trees.
Bramasole: from bramare, to yearn for and sole,
sun: something that yearns for the sun and yes, I do. |
|
Unorthodox
Practices |
Marissa
Piesman |
Housing
Court attorney Nina Fischman's life is unravelling. Her job
is running her ragged, and she cannot decide whether to leave
her nice WASP boyfriend or marry him. Then two older ladies
die in valuable apartments, and Nina suspects murder--and finds
herself attracted to a young prosecutor in the D.A.'s office.
Original. Publisher's Quotes. No first para. I borrowed this
book. |
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V
|
Title |
Author |
First Paragraph |
|
Vita:
A Biography of Vita Sackville-West |
Victoria
Glendinning |
Victoria
recorded her daughter’s first word—‘Dada’—and her first steps,
as she staggered at eighteen months across the Green court with
Alfred the footman hovering behind her. As the months passed
her little legs carried her further around the extraordinary
place where she had been born, but which, owing to her sex,
would never belong to her. |
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| 
To the Top
"A book reads better which is our own, and has
been so long known to us, that we know the totpgraphy of its blots,
and dog's ears, and can trace the dirt in it to having read it at tea
with buttered muffins." - Charles Lamb (1775 - 1834)
|
|

W
|
Title |
Author |
First Paragraph |
|
Walden; or,
Life in the Woods |
Henry David Thoreau |
When I wrote the following pages, or rather the bulk of them, I lived alone,
in the woods, a mile from any neighbor, in a house which I had
built myself, on the shore of Walden Pond, in Concord, Massachusetts,
and earned my living by the labor of my hands only. I lived
there two years and two months. At present I am a sojourner
in civilized life again. |
|
Walking with the Wind, A Memoir of the Movement |
John Lewis |
I took a drive not long ago, south out of Atlanta, where I’ve made my home
for the past three decades, down into Alabama to visit my mother
and brothers and sisters. It’s a drive I make several times
a year, for a birthday, a holiday or simply whenever I feel
drawn back to my roots. |
|
Washington Square |
Henry James |
During a portion of the first
half of the present century, and more particularly during the
latter part of it, there flourished and practised in the city
of New York a physician who enjoyed perhaps an exceptional share
of the consideration which, in the United States, has always
been bestowed upon distinguished members of the medical profession.
This profession in America has constantly been held in honour,
and more successfully than elsewhere has put forward a claim
to the epithet of "liberal." In a country in which,
to play a social part, you must either earn your income or make
believe that you earn it, the healing art has appeared in a
high degree to combine two recognised sources of credit. It
belongs to the realm of the practical, which in the United States
is a great recommendation; and it is touched by the light of
science--a merit appreciated in a community in which the love
of knowledge has not always been accompanied by leisure and
opportunity. It was an element in Dr. Sloper's reputation that
his learning and his skill were very evenly balanced; he was
what you might call a scholarly doctor, and yet there was nothing
abstract in his remedies--he always ordered you to take something.
Though he was felt to be extremely thorough, he was not uncomfortably
theoretic, and if he sometimes explained matters rather more
minutely than might seem of use to the patient, he never went
so far (like some practitioners one has heard of) as to trust
to the explanation alone, but always left behind him an inscrutable
prescription. There were some doctors that left the prescription
without offering any explanation at all; and he did not belong
to that class either, which was, after all, the most vulgar.
It will be seen that I am describing a clever man; and this
is really the reason why Dr. Sloper had become a local celebrity.
At the time at which we are chiefly concerned with him, he was
some fifty years of age, and his popularity was at its height.
He was very witty, and he passed in the best society of New
York for a man of the world--which, indeed, he was, in a very
sufficient degree. I hasten to add, to anticipate possible misconception,
that he was not the least of a charlatan. He was a thoroughly
honest man--honest in a degree of which he had perhaps lacked
the opportunity to give the complete measure; and, putting aside
the great good-nature of the circle in which he practised, which
was rather fond of boasting that it possessed the "brightest"
doctor in the country, he daily justified his claim to the talents
attributed to him by the popular voice. He was an observer,
even a philosopher, and to be bright was so natural to him,
and (as the popular voice said) came so easily, that he never
aimed at mere effect, and had none of the little tricks and
pretensions of second-rate reputations. It must be confessed
that fortune had favoured him, and that he had found the path
to prosperity very soft to his tread. He had married at the
age of twenty-seven, for love, a very charming girl, Miss Catherine
Harrington, of New York, who, in addition to her charms, had
brought him a solid dowry. Mrs. Sloper was amiable, graceful,
accomplished, elegant, and in 1820 she had been one of the pretty
girls of the small but promising capital which clustered about
the Battery and overlooked the Bay, and of which the uppermost
boundary was indicated by the grassy waysides of Canal Street.
Even at the age of twenty- seven Austin Sloper had made his
mark sufficiently to mitigate the anomaly of his having been
chosen among a dozen suitors by a young woman of high fashion,
who had ten thousand dollars of income and the most charming
eyes in the island of Manhattan. These eyes, and some of their
accompaniments, were for about five years a source of extreme
satisfaction to the young physician, who was both a devoted
and a very happy husband. The fact of his having married a rich
woman made no difference in the line he had traced for himself,
and he cultivated his profession with as definite a purpose
as if he still had no other resources than his fraction of the
modest patrimony which on his father's death he had shared with
his brothers and sisters. This purpose had not been preponderantly
to make money- -it had been rather to learn something and to
do something. To learn something interesting, and to do something
useful--this was, roughly speaking, the programme he had sketched,
and of which the accident of his wife having an income appeared
to him in no degree to modify the validity. He was fond of his
practice, and of exercising a skill of which he was agreeably
conscious, and it was so patent a truth that if he were not
a doctor there was nothing else he could be, that a doctor he
persisted in being, in the best possible conditions. Of course
his easy domestic situation saved him a good deal of drudgery,
and his wife's affiliation to the "best people" brought
him a good many of those patients whose symptoms are, if not
more interesting in themselves than those of the lower orders,
at least more consistently displayed. He desired experience,
and in the course of twenty years he got a great deal. It must
be added that it came to him in some forms which, whatever might
have been their intrinsic value, made it the reverse of welcome.
His first child, a little boy of extraordinary promise, as the
Doctor, who was not addicted to easy enthusiasms, firmly believed,
died at three years of age, in spite of everything that the
mother's tenderness and the father's science could invent to
save him. Two years later Mrs. Sloper gave birth to a second
infant--an infant of a sex which rendered the poor child, to
the Doctor's sense, an inadequate substitute for his lamented
first- born, of whom he had promised himself to make an admirable
man. The little girl was a disappointment; but this was not
the worst. A week after her birth the young mother, who, as
the phrase is, had been doing well, suddenly betrayed alarming
symptoms, and before another week had elapsed Austin Sloper
was a widower. |
|
The
Waterworks |
E.L.
Doctorow |
People
wouldn’t take what Martin Pemberton said as literal truth, he
was much too melodramatic or too tormented to speak plainly.
Women were attracted to him for this—they imagined him as something
of a poet, though he was if anything a critic, a critic of his
life and times. So when he went around muttering that his father
was still alive, those of us who heard him, and remembered his
father, felt he was speaking of the persistence of evil in general. |
|
Winter’s
Tale |
Mark
Helprin |
There
was a white horse, on a quiet winter morning when snow covered
the streets gently and was not deep, and the sky was swept with
vibrant stars, except in the east, where dawn was beginning
in a light blue flood. The air was motionless, but would soon
start to move as the sun came up and winds from Canada came
charging down the Hudson. |
|
Wedding, The |
West. Dorothy |
On a morning in late August,
the morning before the wedding, the sun rising out of the quiet
sea stirred the Oval from its shapeless sleep and gave dimension
and design to the ring of summer cottages. |
|
Wild Swans, The |
Iris Chang |
At the age of fifteen my grandmother became the concubine of a warlord general,
the police chief of a tenuous national government of China.
The year was 1924 and China was in chaos. Much of it, including
Manchuria, where my grandmother lived, was ruled by warlords.
The liaison was arranged by her father, a police official in
the provincial town of Yixian in southwest Manchuria, about
a hundred miles north of the Great Wall and 250 miles northeast
of Peking. |
|
World at Night, The |
Alan Furst |
10 May, 1940. Long before dawn,
Wehrmacht commando units came out of the forest on the Belgian
border, overran the frontier posts, and killed the customs officers.
Glider troops set the forts ablaze, black smoke rolling over
the canals and the spring fields. On some roads the bridges
were down, but German combat engineers brought up pontoon spans,
and by first light the tanks and armored cars were moving again.
Heading southwest, to force the river Meuse, to conquer France. |
|
|
| 
To the Top
"There is no such thing as a worthless book though
there are some far worse than worthless; no book that is not worth preserving,
if its existence may be tolerated; as there may be some men whom it
may be proper to hang, but none should be suffered to starve"
--Samuel Taylor Coleridge |
|

Y
|
Title |
Author |
First Paragraph |
| |
|
|
|
Year by the Sea, A |
Joan Anderson |
The decision to separate seemed
to happen overnight. My husband came home from work one day
and announced that he was taking a job hundreds of miles away.
As he yammered on about the details, I sat blank-faced, hard-pressed
for an excuse not to accompany him. After all, our two sons
were grown, the big old family house in which we had resided
for seventeen years had long since outlived it usefulness, and
my job was portable. So where was my resistance coming from?
Why was I frozen, frightened, and full of anger? |
|
Year of Wonders -- A Novel of the Plague |
Geraldine Brooks |
I used to love this season. The wood stacked by the door, the tang of its
sap still speaking of forest. The hay made, all golden in the
low afternoon light. The rumble of the apples tumbling into
the cellar bins. Smalls and sights and sounds that said this
year it would be all right: there’d be food and warmth for the
babies by the time the snows came. I used to love to walk in
the apple orchard at this time of the year, to feel the soft
give underfoot when I trod on a fallen fruit. Thick, sweet scents
of rotting apple and wet wood. This year, the hay stooks are
few and the woodpile scant, and neither matters much to me. |
Created 03/11/07
by LRH
A Knotty Piner Production
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